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#X msg 3359 1848 1, f 5;
#X msg 3406 1843 0, f 5;
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#X msg 3281 1848 3, f 5;
#X obj 2063 1086 delwrite~ tapedelay2 2000;
#X obj 2070 1005 r~ feedback2;
#X obj 2111 1558 s~ feedback2;
#X text 2103 1132 TAPE DELAY 2, f 13;
#X text 2062 1651 DELAY 2 DRY/WET MIDI CONTROL;
#X text 2468 1653 DELAY 2 TIME MIDI CONTROL;
#X text 2869 1647 HIPASS FILTER 2 MIDI CONTROL, f 27;
#X text 3238 1649 LOPASS FILTER 2 MIDI CONTROL, f 27;
#X obj 2110 1329 delread4~ tapedelay2 2000;
#X msg 3287 822 open AndrewBrownRev3.wav, f 27;
#X text 3163 719 ANDREW BROWN REV, f 20;
#X obj 2970 1069 *~;
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#X obj 3455 1262 nbx 4 18 -1e+37 1e+37 0 0 empty empty empty 0 -8 0 10 #191919 #ffffff #ffffff 0 256;
#X text 3416 1099 Random hipass, f 14;
#X obj 3582 1119 bng 19 250 50 0 empty empty empty 17 7 0 10 #dfdfdf #000000 #000000;
#X obj 3585 1262 nbx 4 18 -1e+37 1e+37 0 0 empty empty empty 0 -8 0 10 #191919 #ffffff #ffffff 0 256;
#X text 3546 1097 Random lopass, f 14;
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#X text 3806 1093 Random delay_time;
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#X obj 3695 1248 * 0.1;
#X text 3658 1093 Random delay_wet, f 17;
#X text 4 1962 Random volume, f 15;
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#X text 54 2236 Random hipass, f 14;
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#X text 70 2463 Random lopass, f 14;
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#X text 70 3002 Random delay_time;
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#X text 50 2717 Random delay_wet, f 17;
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#X text 36 2702 comment, f 4;
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#X text 3128 1093 Random volume, f 15;
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#X msg 2889 1847 200, f 6;
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#X obj 1342 1968 t b f;
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#X obj 1127 2013 t b f;
#X obj 1119 1351 pan2~;
#X obj 2621 1450 pan2~;
#X text 3178 1583 NIGHTMARE, f 24;
#X text 1831 1516 DREAM, f 8;
#X obj 967 1329 vline~;
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#X obj 943 1425 s2f~;
#X msg 955 1282 1 2000 0, f 10;
#X msg 1048 1296 0 2000 0, f 10;
#X obj 2497 1404 vline~;
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#X obj 2473 1500 s2f~;
#X msg 2395 1329 0 2000 0, f 10;
#X msg 2527 1339 -1 2000 0, f 11;
#X msg 1499 645 open AndrewBrownNonRev5.wav, f 31;
#X text 3493 126 These synth structures are not actively used in the patch \, but only show how all sounds are made using pure data. The sounds are recorded and looped \, and the length of the files are adjusted in ableton to make them perfectly loop., f 60;
#X text 1540 585 ANDREW BROWN NON REVERSED, f 29;
#X text 3600 453 This toggle button toggles the smaller loop buttons for every sound file \, so looping the sounds. The Andrew Brown files are not connected to the toggle button \, because those are only toggled by behaviour., f 42;
#X text 3433 702 these four sounds are the eerie part of the project. The andrew brown sound file is basically a snippet from one of his videos \, but the sound is reversed and pitched up and down., f 46;
#X text 3435 761 You can play all the files individually \, by pressing the play bang., f 50;
#X text 799 2300 This is the dreamscape generator. The four structures above \, where the knobs are selected \, are the effect controls. The lower part \, where the conditions are set (e.g. <= 175 etc) is the theshold from the four knobs of what we consider is the 'correct' answer for when it sounds like a dream and when it does not., f 61;
#X text 3585 1650 These are the filter controls for the nightmare sounds., f 43;
#X text 3583 1688 The structure works as follows: The ctlin object is used for connecting with the midi controller. The sel object takes one of the 8 knobs and produces either a 1 or a 0 if it's one \, it takes the value of the knob (1-127) and multiplies it by 1 if it's zero \, it selects zero and toggles a knob (instead of multiplying it by zero \, because that would prevent us from using knobs individually aasit would keep resetting other knobs to zero)., f 41;
#X text 3389 1983 <----- thresholds of the knobs, f 25;
#X text 2738 2324 <---- only if the total number is 4 (so if all thresholds are met) the dreamscape will be activated, f 74;
#X text 3486 1346 ^ This is the behaviour that is activated every ~15 seconds. They will randomly generate a value for the dreamscape sounds that is generally on the softer end - so it will automatically filter out the dream to some etent. This makes the user feel like they should 'fight back' to regain their dream., f 56;
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