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billies_bounce.ly
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\version "2.18.2"
#(set-global-staff-size 18)
\include "jazzchords.ily"
\include "lilyjazz.ily"
\include "jazzextras.ily"
\include "common.ily"
\paper {
#(set-paper-size "letter")
% paper-height = 11\in
% paper-width = 8.5\in
indent = 0\mm
between-system-space = 2.5\cm
between-system-padding = #0
%%set to ##t if your score is less than one page:
ragged-last-bottom = ##t
ragged-bottom = ##f
markup-system-spacing = #'((basic-distance . 23)
(minimum-distance . 8)
(padding . 1))
}
title = #"Billie's Bounce"
composer = #"Charlie Parker"
meter = #" Med. Swing"
realBookTitle = \markup {
\score {
{
\override TextScript.extra-offset = #'(0 . -4.5)
s4
s^\markup {
\fill-line {
\fontsize #1 \lower #1 \rotate #7 \concat { " " #meter }
\fontsize #8
\override #'(offset . 7)
\override #'(thickness . 6)
\underline \larger \larger #title
\fontsize #1 \lower #1 \concat { #composer " " }
}
}
s
}
\layout {
\omit Staff.Clef
\omit Staff.TimeSignature
\omit Staff.KeySignature
ragged-right = ##f
}
}
}
\header {
title = \realBookTitle
tagline = ##f
}
theNotes = \relative c' {
\set Staff.midiInstrument = "flute"
\key f \major
% head
r2 r4 r8 c8 |
b c f aes a f d f ~ |
f8 d f4 r8 f ~ f8 d |
f4 r8 f8 ~ f8 d f4 | \break
aes8 a f d f g f8 f |
r4 r8 a bes f r8 aes |
r8 bes r4 ees8 c f ees ~ |
ees8 f c4 r4 r8 e8 ~ | \break
e4 g,8 e fis ees' c cis |
d4 r8 g fis d bes g |
f'4 r8 f e e d d |
c4 r8 f,8 ~ f8 d f4 | \break
r8 f8 ~ f8 d f4 r8 c8 |
% 1st chorus
f4 g8 gis a4 bes8 b |
c4 \tuplet 3/2 { bes8 c bes } a f d c |
g'16 a g f ees8 f ~ f2 |
r2 r4 r8 f'8 ~ | \break
f8 c16 bes aes4 g8 f ees8 d |
c4 bes8 f aes a bes b |
\tuplet 3/2 { c8 d c } a c e d~ d4 |
r1 | \break
r4. \tuplet 3/2 {g16 b d} f8 e d \tuplet 3/2 {cis16 b c ~} |
c8 a bes bes a f d c |
g'8 f g a ~ a4 r4 |
r1 | \break
r8 f aes bes b4 b8 b |
bes8 aes f bes8 ~ bes b bes4 ~ |
bes4 r8 f aes a bes b |
\tuplet 3/2 { c16 d c } a8 f ees ~ ees4 r8 g | \break
\tuplet 3/2 { f16 g f } d8 bes f aes4 r4 |
r2 c'4 f8 c |
\tuplet 3/2 { bes8 c bes } a bes c a ~ a4 |
r1 | \break
r4 fis16 g bes d f d dis e c cis d c |
bes16 a g f e g bes des \tuplet 3/2 { c bes a } c bes a f d c |
f4 r8 d16( ees16 d8) c8~ c4 |
r4. c8 f a c f ~ | \break
f4 ees8 d16 c16 bes8 a g ges |
f ees \tuplet 3/2 {d f a} c bes d, bes' |
\tuplet 3/2 { a16 bes a16 } f8 d c \tuplet 3/2 { g'16 a g } f8 ees f |
d8 f d c ~ c4 r4 | \break
r2 r4 r8 aes''8 ~ |
\tuplet 3/2 {aes4 g f} ees8 c bes f |
a4. c8 r4 r8 bes |
\tuplet 3/2 {a16 bes a} g8 fis a c ees d a | \break
c bes~ bes4 r4 r8 c16 b |
bes8 a g f \tuplet 3/2 { e g bes } des16 ees c8 ~ |
c8 bes16 c a2 r4 |
r8 g8 ~ g2. |
}
theChords = \chordmode {
\set chordChanges = ##t
f1:7 |
f1:7 | bes1:7 | f1:7 | f1:7 |
bes1:7 | bes1:7 | f1:7 | a2:m7 d2:7 |
g1:m7 | c1:7 | f1:7 | g2:m7 c2:7 |
f1:7 | bes1:7 | f1:7 | f1:7 |
bes1:7 | bes1:7 | f1:7 | a2:m7 d2:7 |
g1:m7 | c1:7 | f1:7 | g2:m7 c2:7 |
f1:7 | bes1:7 | f1:7 | f1:7 |
bes1:7 | bes1:7 | f1:7 | a2:m7 d2:7 |
g1:m7 | c1:7 | f1:7 | g2:m7 c2:7 |
f1:7 | bes1:7 | f1:7 | f1:7 |
bes1:7 | bes1:7 | f1:7 | a2:m7 d2:7 |
g1:m7 | c1:7 | f1:7 | g2:m7 c2:7 |
}
\score {
<<
\new ChordNames \tpose \theChords
\new Voice = soloist \tpose \theNotes
>>
\layout {
\override Score.Clef. #'break-visibility = #'#(#f #f #f) % make only the first clef visible
\override Score.KeySignature. #'break-visibility = #'#(#f #f #f) % make only the first time signature visible
\override Score.SystemStartBar. #'collapse-height = #1 % allow single-staff system bars
}
\midi {
\tempo 4 = 200
}
}