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confirmation.ly
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\version "2.18.2"
#(set-global-staff-size 18)
\include "jazzchords.ily"
\include "lilyjazz.ily"
\include "jazzextras.ily"
\include "common.ily"
\paper {
#(set-paper-size "letter")
% paper-height = 11\in
% paper-width = 8.5\in
indent = 0\mm
between-system-space = 2.5\cm
between-system-padding = #0
%%set to ##t if your score is less than one page:
ragged-last-bottom = ##t
ragged-bottom = ##f
markup-system-spacing = #'((basic-distance . 23)
(minimum-distance . 8)
(padding . 1))
}
title = #"Confirmation"
composer = #"-Charlie Parker"
meter = #" (Med. Swing)"
realBookTitle = \markup {
\score {
{
\override TextScript.extra-offset = #'(0 . -4.5)
s4
s^\markup {
\fill-line {
\fontsize #1 \lower #1 \rotate #7 \concat { " " #meter }
\fontsize #8
\override #'(offset . 7)
\override #'(thickness . 6)
\underline \larger \larger #title
\fontsize #1 \lower #1 \concat { #composer " " }
}
}
s
}
\layout {
\omit Staff.Clef
\omit Staff.TimeSignature
\omit Staff.KeySignature
ragged-right = ##f
}
}
}
\header {
title = \realBookTitle
tagline = ##f
}
theNotes = \relative c' {
\set Staff.midiInstrument = "flute"
\key f \major
r2 r8 c8 d e |
g f e f g ais cis f8 ~ f4 r4 cis8 ais g gis |
a8 c, d g f c r8 cis |
d cis d f4 g8 r8 c,8 | \break
a'8 c4 a8 bes a8 \tuplet 3/2 { e f fis } |
g8 d'8 \tuplet 3/2 {bes16 c bes16} g8 a4 cis,8 g'8 ~ |
g8 f4 r2 a8 |
g bes \tuplet 3/2 { a16 bes a } g8 r4 f8 bes8 ~ | \break
bes8 bes8 \tuplet 3/2 { aes16 bes aes } f8 bes8 aes r4 |
r8 c \tuplet 3/2 { bes16 c bes } g8 fis a d, b'8 ~ |
b4 e8 a, r4 r8 e'16 d |
cis8 f,8 g e r8 c'8 ~ c4 | \break
a4 r8 f8 \tuplet 3/2 {bes a bes} g a |
\tuplet 3/2 {f8 g ees8} r4 r8 cis4 g'8 ~ |
g8 f4 r4. r8 a8 |
g bes \tuplet 3/2 { a16 bes a } g8 f8 cis f8 f8 ~ | \break
f8 aes bes f aes bes r4 |
r8 d, g bes \tuplet 3/2 { a16 bes a } fis8 r4|
g8 bes \tuplet 3/2 { a16 bes a } g8 c4 a8 f ~ |
f4 r4 r8 d'8 ~ d4 | \break
c4 r8 \tuplet 3/2 {g16 ees c } b'8 g r8 g |
\tuplet 3/2 { bes c bes } g ees gis fis r4 |
a8 g a g ~ g4 . g8 |
r2. r8 bes8 | \break
\tuplet 3/2 { des ees, bes' } \tuplet 3/2 { c bes ges ~ } ges8 aes f e |
ees8 aes aes4 aes8 aes r8 ges |
\tuplet 3/2 { f8 aes c } ees c des bes r4 |
r8 g des f aes f des c | \break
r8 c' ~ c4 bes8 a \tuplet 3/2 { e f fis } |
g8 d'8 \tuplet 3/2 {bes16 c bes} g8 a4 cis,8 g'8 ~ |
g8 f4 r2 a8 |
g bes \tuplet 3/2 { a16 bes a } g8 r4 f8 bes8 ~ | \break
bes8 bes8 \tuplet 3/2 { aes16 bes aes } f8 bes8 aes r4 |
r8 c \tuplet 3/2 { bes16 c bes } aes8 a4 d,8 f ~ |
f8 d8 f a ~ a f ~ f4 |
f4 r4 b,4 e8 g | \break
% solo
f8 ees d4 c8 bes a a' |
bes4 e,8 d des bes' g aes |
a f d r8 r2 |
r8 ees \tuplet 3/2 { g8 bes d } f8 ees d c | \break
bes8 \tuplet 3/2 { c16 bes aes ~ } aes8 f g8 f r4 |
r8 a16 g fis8 r8 c ees c des |
d c \tuplet 3/2 { b d f } a f d bes |
f'4 g8 aes4 \tuplet 3/2 { e16 d c } r8 g'8 ~ | \break
\tuplet 3/2 { g8 e f } \tuplet 3/2 { d e c ~ } c4 r4 |
r8 e16 f \tuplet 3/2 { g8 f e } \tuplet 3/2 { d b d } \tuplet 3/2 { b cis g'16 a } |
bes16 a g f e d cis d e cis d e f16 g a bes |
c16 bes a g f e ees8 r2 | \break
r4. d8 ~ \tuplet 3/2 { d8 f a } c a |
\tuplet 3/2 { bes c bes} a8 g fis ees c cis |
d bes g a c a' r8 f |
\tuplet 3/2 { g16 a g } f8 cis bes c bes r8 c' | \break
d c d c r4 r8 \tuplet 3/2 { d16 c bes } |
g8 ees c bes r8 fis' ees e |
f ees \tuplet 3/2 {d a' bes} c bes a bes |
d8 f ~ f2 r4 | \break
r4 r8 c16 ees des8 c bes ges |
ees8 bes des bes c f r4 |
\tuplet 3/2 { aes16 bes aes } f8 c aes bes4 r4 |
r8 g' ~ \tuplet 3/2 { g bes d } f4 e8 c | \break
r4 r8 bes a f d c |
\tuplet 3/2 { fis g fis } e d cis bes' g aes |
a c, d ees r2 |
r4 r8 f'8 ~ f4 aes,8 f | \break
g f des bes c bes a g |
fis a c ees d bes g a |
c a f' g \tuplet 3/2 { a bes b } c bes |
a4 r8 c, e g ~ \tuplet 3/2 { g c, e } |
f c4 r8 r2 |
}
theChords = \chordmode {
\set chordChanges = ##t
f1:maj7 |
f1:maj7 | bes1:m7 | a2:m7 aes2:m7 | g2:m7 c2:7 |
f1:maj7 | e2:m7.5- a2:7 | d2:m7 g2:7 | c2:m7 f:7 |
bes1:7 | a2:m7 d:7 | g1:7 | c:7 |
f1:maj7 | e2:m7.5- a2:7 | d2:m7 g2:7 | c2:m7 f:7 |
bes1:7 | a2:m7 d:7 | g2:m7 c:7 | f1:maj7 |
c1:m7 | f:7 | bes:maj7 | bes:maj7 |
ees:m7 | aes:7 | des:maj7 | g2:min7 c:7 |
f1:maj7 | e2:m7.5- a2:7 | d2:m7 g2:7 | c2:m7 f:7 |
bes1:7 | a2:m7 d:7 | g2:m7 c:7 | f1:maj7 |
% solo
f1:maj7 | e2:m7.5- a2:7 | d2:m7 g2:7 | c2:m7 f:7 |
bes1:7 | a2:m7 d:7 | g1:7 | c:7 |
f1:maj7 | e2:m7.5- a2:7 | d2:m7 g2:7 | c2:m7 f:7 |
bes1:7 | a2:m7 d:7 | g2:m7 c:7 | f1:maj7 |
c1:m7 | f:7 | bes:maj7 | bes:maj7 |
ees:m7 | aes:7 | des:maj7 | g2:min7 c:7 |
f1:maj7 | e2:m7.5- a2:7 | d2:m7 g2:7 | c2:m7 f:7 |
bes1:7 | a2:m7 d:7 | g2:m7 c:7 | f1:maj7 |
f1:maj7
}
\score {
<<
\new ChordNames \tpose \theChords
\new Voice = soloist \tpose \theNotes
>>
\layout {
\override Score.Clef #'break-visibility = #'#(#f #f #f) % make only the first clef visible
\override Score.KeySignature #'break-visibility = #'#(#f #f #f) % make only the first time signature visible
\override Score.SystemStartBar #'collapse-height = #1 % allow single-staff system bars
}
\midi {
\tempo 4 = 200
}
}