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\version "2.18.2" | ||
#(set-global-staff-size 18) | ||
\include "jazzchords.ily" | ||
\include "improviso.ily" | ||
\include "jazzextras.ily" | ||
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\paper { | ||
#(set-paper-size "letter") | ||
% paper-height = 11\in | ||
% paper-width = 8.5\in | ||
indent = 0\mm | ||
between-system-space = 2.5\cm | ||
between-system-padding = #0 | ||
%%set to ##t if your score is less than one page: | ||
ragged-last-bottom = ##f | ||
ragged-bottom = ##f | ||
markup-system-spacing = #'((basic-distance . 23) | ||
(minimum-distance . 8) | ||
(padding . 1)) | ||
} | ||
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title = #"All Of Me" | ||
composer = #"-Simons & Marks" | ||
meter = #" (Med. Swing)" | ||
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realBookTitle = \markup { | ||
\score { | ||
{ | ||
\override TextScript.extra-offset = #'(0 . -4.5) | ||
s4 | ||
s^\markup { | ||
\fill-line { | ||
\fontsize #1 \lower #1 \rotate #7 \concat { " " #meter } | ||
\fontsize #8 | ||
\override #'(offset . 7) | ||
\override #'(thickness . 6) | ||
\underline \larger \larger #title | ||
\fontsize #1 \lower #1 \concat { #composer " " } | ||
} | ||
} | ||
s | ||
} | ||
\layout { | ||
\omit Staff.Clef | ||
\omit Staff.TimeSignature | ||
\omit Staff.KeySignature | ||
ragged-right = ##f | ||
} | ||
} | ||
} | ||
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\header { | ||
title = \realBookTitle | ||
tagline = ##f | ||
} | ||
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theNotes = \relative c' { | ||
\set Staff.midiInstrument = "flute" | ||
\key c \major | ||
\showStartRepeatBar \bar "[|:" | ||
\repeat "volta" 2 { | ||
c'4 g8 e ~ e2 ~ | ||
e2 \times 2/3 { c'4 d c } | ||
b4 gis8 e ~ e2 ~ | ||
e1 \break | ||
a4. g8 e2 ~ | ||
e4 dis e8 bes' a4 | ||
g2 f2 ~ | ||
f1 \break | ||
e4. ees8 d2 ~ | ||
d2 e8 gis c4 | ||
d2 c2 ~ | ||
c1 \break | ||
b4. bes8 a2 ~ | ||
a2 a8 d b4 | ||
a1 | ||
b1 \bar "||" \break | ||
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c4 g8 e ~ e2 ~ | ||
e2 \times 2/3 { c'4 d c } | ||
b4 gis8 e ~e2 ~ | ||
e1 \break | ||
a4. g8 e2 ~ | ||
e4 dis e8 bes' a4 | ||
g2 f2 ~ | ||
f1 \break | ||
} | ||
\alternative { | ||
{ | ||
d'2 c4 b | ||
d2. c4 | ||
b2 e,4 g4 | ||
b2. a4 \break | ||
c2 a4 c | ||
e2 e2 | ||
c1 ~ | ||
c1 \bar ":|][|:" \break | ||
} | ||
{ | ||
d2 c4 b | ||
d2. c4 | ||
b2 e,4 g4 | ||
b2. a4 \break | ||
c2 a4 c | ||
e2 e2 | ||
c1 | ||
~c1 | ||
\bar ":|]" | ||
} | ||
} | ||
} | ||
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theChords = \chordmode { | ||
\repeat "volta" 2 { | ||
c1:maj c1:maj e:7 e:7 | | ||
a:7 a:7 d:m7 d:m7 | | ||
e:7 e:7 a:m7 a:m7 | | ||
d:7 d:7 d:m7 g:7 | | ||
c1:maj c1:maj e:7 e:7 | | ||
a:7 a:7 d:m7 d:m7 | | ||
} | ||
\alternative { | ||
{ | ||
f1 f:m c2:maj e:m7 a1:7 | | ||
d:m7 g:7 c2:6 ees:dim d2:m7 g:7 | | ||
} | ||
{ | ||
f1 f:m c2:maj e:m7 a1:7 | | ||
d:m7 g:7 c1:6 c1:6 | | ||
} | ||
} | ||
} | ||
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theWords = \lyricmode { | ||
All of me | ||
Why not take all of me | ||
Can't you see | ||
I'm no good with -- out you | ||
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Take my lips | ||
I want to lose them | ||
Take my arms | ||
I ne -- ver use them | ||
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Your Good -- bye | ||
Left me with eyes that cry | ||
How can I go on dear with -- out you | ||
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% first repeat | ||
You took the part | ||
That once was my heart | ||
So why not take all of me | ||
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% second repeat | ||
You took the best | ||
So why not take the rest | ||
Ba -- by take all of me. | ||
} | ||
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\score { | ||
<< | ||
\new ChordNames \theChords | ||
\new Voice = soloist \theNotes | ||
\new Lyrics \lyricsto soloist \theWords | ||
>> | ||
\layout { | ||
\override Score.Clef #'break-visibility = #'#(#f #f #f) % make only the first clef visible | ||
\override Score.KeySignature #'break-visibility = #'#(#f #f #f) % make only the first time signature visible | ||
\override Score.SystemStartBar #'collapse-height = #1 % allow single-staff system bars | ||
} | ||
\midi { | ||
\tempo 4 = 88 | ||
} | ||
} |
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# improviso lyp package | ||
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This is a packaging of the improviso font packages and the lilyjazz stylesheet for use with the `lyp` package manager. | ||
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Most of the contents is just a rearrangement of Steve Lacy's (@slacy) https://github.com/OpenLilyPondFonts/improviso repository (which itself is based on [Abraham Lee](mailto:[email protected])'s font and lilypond work) to conform to `lyp` packing standards. | ||
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The only added files are: | ||
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* `package.ly`, the `lyp` packaging root. | ||
* `jazzchords_test.ly`, a test sheet for a wide variety of jazz chords. | ||
* `morejazz.ily`, a number of tweaks to the chord name display, notably | ||
* Using a triangle instead of "M" for major 7th chords. | ||
* Adding a few more exotic chord combinations. | ||
* Defining stacked alterations in a way that is more robust to font size variations. | ||
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To restore the chord naming in the original package, add `\set chordNameExceptions = #JazzChords` in your file. |
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\version "2.18.2" | ||
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\include "improviso.ily" | ||
\include "jazzchords.ily" | ||
\language "english" | ||
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\paper { | ||
ragged-last-bottom = ##f | ||
} | ||
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\header { | ||
title = \markup { \fontsize #3 Dorothy } | ||
composer = \markup { \fontsize #1 Lou Donaldson } | ||
tagline = \markup { \fontsize #1 (For \concat { E { \raise #0.5 \teeny \flat } } instruments.) } | ||
} | ||
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vib = \markup \left-align \musicglyph #"scripts.prallprall" | ||
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harmony = \new ChordNames \with { | ||
\override ChordName #'font-size = #0 | ||
} \chordmode { | ||
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e2:m7 a2:7 e2:m7 a2:7 fs:m7 b2:7 fs2:m7 b2:7 | ||
e2:m7 a2:7 fs2:m7.5- b2:7 e2:m7 a2:7 d2.:maj7 fs8:m7 f8:m7 | ||
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e2:m7 a2:7 e2:m7 a2:7 fs:m7 b2:7 fs2:m7 b2:7 | ||
e2:m7 a2:7 fs2:m7.5- b2:7 e2:m7 a2:7 d1:maj7 | ||
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d2:m7 g2:7 c2:maj7 a2:7 d2:m7 g2:7 c1:maj7 | ||
fs2:m7 b2:7 e1:maj7 e2:m7 a2:7 d2:maj7 fs4:m7 f4:m7 | ||
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e2:m7 a2:7 e2:m7 a2:7 fs:m7 b2:7 fs2:m7 b2:7 | ||
e2:m7 a2:7 fs2:m7.5- b2:7 e2:m7 a2:7 d1:maj7 | ||
} | ||
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melody = \relative c'' { | ||
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\clef treble | ||
\key d \major | ||
\time 4/4 | ||
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\set Score.markFormatter = #format-mark-box-alphabet | ||
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% A | ||
\mark \default | ||
fs8 fs8 fs8 g8 ds2^\vib | | ||
r4 fs16 fs16 fs16 g16 ds8 e8 fs8 g8 | | ||
gs4(^\vib gs16) gs16 gs16 a16 f2^\vib | | ||
r4 gs16 gs16 gs16 a16 f4^\vib b4^\vib | \break | ||
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fs4(^\vib fs16) fs16 fs16 g16 ds2^\vib | | ||
e8 e8 e8 fs8 f2^\vib | | ||
r8 b,8->\< cs8 d8-> e8 fs-> g8 a8->\! | | ||
a2^\vib r4 \times 2/3 { r8 gs8 g8 } | \break | ||
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% A (0:39) | ||
\mark #1 | ||
fs4( fs16) fs16 fs16 g16 ds2^\vib | | ||
r4 fs16 fs16 fs16 g16 ds8 e8 fs8 g8 | | ||
gs8. gs16 \times 2/3 { gs8 b8 a8 } f2^\vib | | ||
r4 gs16 gs16 gs16 a16 f4^\vib b4^\vib | \break | ||
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fs4(^\vib fs16) fs16 fs16 g16 ds2^\vib | | ||
e8 e8 e8 fs8 f2^\vib | | ||
r8 b,8->\< cs8 d8-> e8 fs-> g8 a8->\! | | ||
a2^\vib r4. a16 gs16 \bar "||" \break | ||
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% B (1:17) | ||
\mark \default | ||
\times 2/3 { g8 g8 g8 } g8.^\vib a16 g4(^\vib g8) g,16 a16 | \noBreak | ||
b4(^\vib b16) b16 b16 e16 bf2^\vib | \noBreak | ||
r8 fs16 g16 g'16 g16 g16 a16 g4^\vib g,16 g16 a16 a16 | \noBreak | ||
b2^\vib r2 | \break | ||
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b'4(^\vib b8) b16 b16 d4(^\vib d16) b16 as16 a16 | | ||
gs2^\vib r4 gs8 gs8 | | ||
a4(^\vib a8) a16 a16 c4(^\vib c8) a16 g16 | | ||
fs4^\vib r4 gs4 g4 \bar "||" \break | ||
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% A (1:36) | ||
\mark #1 | ||
fs4(^\vib fs16) fs16 fs16 g16 ds2^\vib | | ||
r4 fs16 fs16 fs16 g16 ds16 ds16 e16 e16 fs16 fs16 g16 g16 | | ||
gs4(^\vib gs16) gs16 gs16 a16 f2^\vib | | ||
r4 gs16 gs16 gs16 a16 f4^\vib b4^\vib | \break | ||
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fs4(^\vib fs16) fs16 fs16 g16 ds2^\vib | | ||
e8 e8 e8 fs8 f2^\vib | | ||
r8 b,8->\< cs8 d8-> e8 fs-> g8 a8->\! | | ||
a2^\vib r2 | \break | ||
} | ||
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\score { | ||
<< | ||
\new ChordNames { | ||
\harmony | ||
} | ||
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\new Staff { | ||
\melody | ||
} | ||
>> | ||
} |
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%%%% The stylesheet for IMPROVISO music font and PEAMISSYWITHAMARKER font | ||
%%%% | ||
%%%% In order for this to work, this file's directory needs to | ||
%%%% be placed in LilyPond's path | ||
%%%% | ||
%%%% NOTE: If a change in the staff-size is needed, include | ||
%%%% this file after it, like: | ||
%%%% | ||
%%%% #(set-global-staff-size 17) | ||
%%%% \include "improviso.ily" | ||
%%%% | ||
%%%% Copyright (C) 2014-2016 Abraham Lee ([email protected]) | ||
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\version "2.19.12" | ||
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\paper { | ||
#(define fonts | ||
(set-global-fonts | ||
#:music "improviso" | ||
#:brace "improviso" | ||
#:roman "thickmarker" | ||
#:sans "permanentmarker" | ||
#:factor (/ staff-height pt 20) | ||
)) | ||
} | ||
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\layout { | ||
\override Score.Hairpin.thickness = #2 | ||
\override Score.Stem.thickness = #2 | ||
\override Score.TupletBracket.thickness = #2 | ||
\override Score.VoltaBracket.thickness = #2 | ||
\override Score.SystemStartBar.thickness = #4 | ||
\override StaffGroup.SystemStartBracket.padding = #0.25 | ||
\override ChoirStaff.SystemStartBracket.padding = #0.25 | ||
%\override Staff.Tie.thickness = #3 | ||
\override Staff.Tie.line-thickness = #2 | ||
\override Staff.Slur.thickness = #3 | ||
\override Staff.PhrasingSlur.thickness = #3 | ||
\override Staff.BarLine.hair-thickness = #4 | ||
\override Staff.BarLine.thick-thickness = #8 | ||
\override Staff.MultiMeasureRest.hair-thickness = #3 | ||
\override Staff.MultiMeasureRestNumber.font-size = #2 | ||
\override LyricHyphen.thickness = #3 | ||
\override LyricExtender.thickness = #3 | ||
\override PianoPedalBracket.thickness = #2 | ||
} |
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